﻿<?xml version='1.0' encoding='UTF-8'?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/"><channel><title>TraditionalPhotographer.NET / On Photography / Sports and Event Photography </title><generator>InstantForum.NET v4.1.4</generator><description>TraditionalPhotographer.NET</description><link>http://www.traditionalphotographer.net/forums/</link><webMaster>admin@traditionalphotographer.net</webMaster><lastBuildDate>Tue, 07 Oct 2008 06:53:28 GMT</lastBuildDate><ttl>20</ttl><item><title>Medium format for action photography?</title><link>http://www.traditionalphotographer.net/forums/Topic210-45-1.aspx</link><description>I were asked to do a photo-shoot on the FMX-biker Ailo Gaup (World champion this year) a few years ago, and fellow photographers thought I was dancing wih the devil when I told them that I would do it with film in medium format. They quickly stated that medium format was for slow-work only like portraits and landscape.&lt;br&gt;&lt;br&gt;Why would I give up the convenience of a LCD-display and the possibility to use really high ISO? And why on earth would I use a positive film when negative films have so much more lattitude?&lt;br&gt;&lt;br&gt;Well, the results made their digital mouths shut.&lt;br&gt;You can actually read the small text on the goggle-strap, and the client used 15 minutes with a loupe at the light table looking at the top 5 images. I doubt that he would spend so much time in front of a Raw-converter on a computer screen. &lt;br&gt;&lt;br&gt;Tech details: Mamiya 645 Pro TL, Sekor A 200mm f2,8 APO, Fuji Provia 400F, f:11, 1/1000 sek&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;[img]http://foto.no/bildegalleri/images/170757.jpg[/img]</description><pubDate>Tue, 25 Dec 2007 04:39:11 GMT</pubDate><dc:creator>Eirik Berger</dc:creator></item></channel></rss>