﻿<?xml version='1.0' encoding='UTF-8'?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/"><channel><title>TraditionalPhotographer.NET / On Photography / General Photography  / Making Disaparate Pieces Fit Together - Damon Winter / Latest Posts</title><generator>InstantForum.NET v4.1.4</generator><description>TraditionalPhotographer.NET</description><link>http://www.traditionalphotographer.net/forums/</link><webMaster>admin@traditionalphotographer.net</webMaster><lastBuildDate>Mon, 01 Dec 2008 11:07:12 GMT</lastBuildDate><ttl>20</ttl><item><title>Making Disaparate Pieces Fit Together - Damon Winter</title><link>http://www.traditionalphotographer.net/forums/Topic1300-48-1.aspx</link><description>Interesting article about a photographer in NYC:&lt;/P&gt;&lt;P&gt;&lt;A href="http://www.nytimes.com/2008/06/18/nyregion/18lenstext.html?_r=1&amp;amp;oref=slogin"&gt;http://www.nytimes.com/2008/06/18/nyregion/18lenstext.html?_r=1&amp;amp;oref=slogin&lt;/A&gt;&lt;/P&gt;&lt;P&gt;"...&lt;/P&gt;&lt;P&gt;The best way to accomplish this is using a large-format camera and sheet film, which can be loaded into the camera, exposed, safely removed, stored and loaded again. &lt;/P&gt;&lt;P&gt;After taking the first photo, I usually draw a sketch of the image from memory showing the light and dark areas and the position of the main subject in the frame. When I am ready to make the second image, sometimes hours, days or even weeks later, I reload the film into the camera and use the sketch of the first exposure as a guide for composing the second.&lt;/P&gt;&lt;P&gt;..."&lt;/P&gt;&lt;P&gt;This is what I call dedication.</description><pubDate>Wed, 18 Jun 2008 12:30:56 GMT</pubDate><dc:creator>roteague</dc:creator></item></channel></rss>